The Nothing Nothings
inal installation, collection Alberto Pecci, Florence
Carrara marble on a polyester/glassfibre base.
The pose is adapted from Stanley Spencer's painting 'Double Nude Portrait: The Artist and His Second Wife' (1937). The sculpture speaks otherwise for itself. The title is taken from a translation into English of Martin Heidegger's "das Nichts selbst nichtet", "The Nothing Nothings".
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